Keeley talks to John Robb about accialmed new album

  • Post category:Music
  • Post comments:0 Comments
You are currently viewing Keeley talks to John Robb about accialmed new album


KEELEY, fronted by Dublin-born singer-guitarist-composer Keeley Moss have released their acclaimed third album, Girl On The Edge Of The World – a concept album of brilliant post punk shoegaze built around the story of Inga Maria Hauser, the German backpacker whose murder in Northern Ireland in April 1988 remains unsolved. The atmospheric song cycle explores the story on many levels and draws you into an emotional vortex.

 

KEELEY, fronted by Dublin-born singer-guitarist-composer Keeley Moss release their third album, Girl On The Edge Of The World.

 

KEELEY follow Floating Above Everything Else and Beautiful Mysterious with a “a film for the ear,” again influenced by Inga Maria Hauser, the German backpacker whose murder in Northern Ireland in April 1988 remains unsolved.

On the new album KEELEY writes from the teen’s perspective as documents what would turn out to be the final week of her life across a dozen tracks. A true story which Moss has mapped out with painstaking research into Inga’s movements and by retracing her steps in meticulous detail.

When asked about her muse and the singer explains, “I’ve often been asked why I choose to write about only one subject, and one that might seem macabre to the uninitiated, but to me, Inga’s story is full of hope, vitality, beauty, mystery and poignancy. I felt a burning compulsion to make it my mission in life to memorialise her short life any way I could, and I approach each song from a different angle every time. It’s an endless source of inspiration to me. I suppose I could write in a conventional way about love, angst and the like, but that’s not me. I don’t have relationships, I don’t have holidays, pets or even a TV. Music is everything to me, it’s the greatest thing in the world, and the visionary vessel through which I connect to my muse and facilitate the flow of songs that provide a vehicle for her voice”. The album itself is a step on sonically from the previous albums, the time spent on the road both headlining and supporting various artists obviously paying dividends. The soundscapes cover many genres from Indie Rock to Post Punk, calling at Shoegaze, Dreampop and a dash of Ambient Electronica along the way.

 

A Plea From Louder Than War

Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about.

To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help.

John Robb – Editor in Chief

PLEASE SUBSCRIBE TO LTW





Source link

Leave a Reply