Samantha Fish | Zac Schulze Gang
O2 Ritz, Manchester
4th March 2026
Grammy-nominated blues-rock powerhouse Samantha Fish brings the Paper Doll Live World Tour to a sold-out night at the O2 Ritz Manchester. Claire Glover and Melanie Smith went along to see what all the fuss was about, and it absolutely didn’t disappoint.
A packed Wednesday night crowd fills the 1,500-capacity iconic venue, and the atmosphere is already buzzing before the headliner even tunes up. Much of that energy comes courtesy of Kent’s rising blues-rock firestarters, The Zac Schulze Gang, who tear into their support slot likemen possessed. Formed in Gillingham in 2020, the trio revolve around the dynamic force of guitarist and frontman Zac Schulze. All sharp elbows, flying fingers, and barely contained momentum. Drawing clear inspiration from the jagged punch of Wilko Johnson, the fiery intensity of Rory Gallagher and the groove-laden influence of Fleetwood Mac, they nevertheless sound completely their own. Ant Greenwell’s basslines are elastic and melodic, delivered with as much physicality as the frontman, while brother Ben Schulze anchors everything with muscular, no-frills drumming. The tempo rarely dips. It’s frantic, joyous, and played with the kind of conviction that suggests UK blues-rock has a very healthy future indeed. By the time they leave the stage, they’ve done far more than warm up the room; they’ve ignited it.

Fish has long since outgrown the ‘rising star’ label. The Kansas City native, twice Grammy-nominated and personally invited by Eric Clapton to perform at his Crossroads Guitar Festival, commands the Ritz as if it were twice the size. While firmly rooted in blues, her sound stretches confidently through rock, country, funk and soul without ever feeling unfocused. Material from 2025’s Paper Doll lands hard. The title track is greeted like an old favourite, its sultry swagger driven by Ron Johnson’s groove-heavy bass. Better Be Lonely struts and teases as Fish draws molten tones from her guitar, half-snarling and half-cooing her way through the lyrics. At one point, she briefly stumbles on her towering heels, but recovers instantly with a grin, a moment that only adds to the night’s sense of spontaneity.

The crowd are drawn fully into the show, clapping along and feeding off the band’s energy. Behind her, the band are a powerhouse. Jamie Douglass drives the songs forward with relentless drumming, Mickey Finn’s keys add colour and depth, and Johnson glues everything together with understated authority. The venues natural acoustics allow the low end to burn while the high notes soar cleanly above the mix.

Please note: Use of these images in any form without permission is illegal. If you wish to contact the photographer, please email: mudkissphotos@gmail.com
Setlist • Kick Out the Jams • Paper Doll • Can Ya Handle the Heat? • I’m Done Runnin’ • Sweet Southern Sounds • Lose You • Bulletproof • Fortune Teller • Poor Mattie • Rusty Razor • Don’t Say It • Black Wind Howlin’
~
Samantha Fish can be found at her website | Facebook | Twitter
All words by Claire Glover. More writing by Claire on Louder Than War can be found at her author profile here. | Twitter
Zac Schulze Gang photo by Manny Manson (provided by Peter Noble)
Samantha Fish photos by Melanie Smith – Louder Than War | Facebook | Twitter | Instagram | Portfolio
A Plea From Louder Than War
Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about.
To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help.
John Robb – Editor in Chief
