The Damned
Albert Hall, Manchester
Wednesday 28th January 2026
Punk legends The Damned blitzed through a one-off set of cover versions in memory of their late guitarist Brian James.
There are many ways musicians can pay tribute to one of the fallen mates, and The Damned typically did it their own way by going to LA to record an album’s worth of songs that had influenced their late, great guitarist Brian James.
This gig was a one off rendition of those songs on the new record, Not Like Everybody Else, that had been given to The Damned by Brian’s wife, and after a warm-up DJ set by Louder Than War Editor in Chief John Robb, they strolled onto a mighty roar from the band’s faithful followers.
They may now all be using bus passes, but The Damned proved to still be an incredibly tight outfit as they smashed their way into Northern Soul classic, There’s A Ghost In My House that opens the album. Dave Vanian, in his trademark black flock coat, stalked the stage clutching his iconic fifties style mic, before Captain Sensible weighed in with the first of a series of solos as his own six-string tribute to his old mate.

Not surprisingly, Sensible, in his trademark daft shades, was doing most of the talking, introducing the Kinks’ I’m Not Like Everybody Else as the darkest song in the set before they romped through The Yardbirds’ Heart Full of Soul. Gray’s bass intro led the band into The Animals’ When I Was Young before they ended with a wonderfully ironic version of The Last Time, which on the album features Brian James playing it with his old muckers recorded on one of their last dates together.
This was no wake, but a moving celebration of a gifted guitarist who wrote New Rose, and every one of the songs in this set was part of his journey to creating a song that essentially invented punk in this country. The whole thing lasted 45 minutes, which seemed apt as that was probably as long as most of their early gigs lasted.

Of the second set of covers, a raucous take on I Had Too Much Too Dream (Last Night) was a nod to the band’s later psychedelic pop phase. Before a lovely White Rabbit, there was a public service announcement as The Captain advised the audience not to take drugs before wryly observing, ‘a bit late now’.
Their barque version of Barry Ryan’s Eloise was the highlight of the second set with Vanian energetically working the stage with his still rich baritone swirling round Oxymoron’s keys as Scabies really rattled the drum kit. They said farewell with another Stooges cover, 1970, much to the delight of a man with a full head of spiked grey hair who was transported back to the very day he heard it.

~
Words by Paul Clarke – more of his reviews here:
Photos by Elliot Davie
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