Exeter Uni News

Monastic music to play again in Exeter priory closed by Henry VIII


Beautiful monastic music will be heard again in a former Exeter priory closed by Henry VIII thanks to the discovery of a rare collection of medieval chants.

St Nicholas Priory was founded by William the Conqueror in 1087. It was home to Benedictine monks for over 400 years and is the oldest building in Exeter. In 1536, like other monasteries, it was closed and the remains became the home of wealthy Tudor merchants.

Thanks to the University of Exeter Chapel Choir the long-lost voices of monks will return to the priory at a special event next month. This may be the first time monastic music has been heard in the building’s Great Hall since 1536.

The concert is possible thanks to new analysis of a ‘customary’, the richly decorated Buckland Book which dates from around 1450. This contains the instructions the monks needed to carry out their daily religious rituals and services. But unusually, the Buckland Book also contains a rare collection of medieval music copied and added to the book in the early Tudor period.

University of Exeter historian, Professor James Clark, first noticed this while researching Buckland Abbey’s monastic past on behalf of the National Trust. Hardly any of the music performed in England’s medieval monasteries now survives because their books were lost or destroyed during the Tudor Reformation.

Professor Clark has worked with Michael Graham, the University’s Director of Chapel Music, and choristers so the music can be performed again.

The music is written down using the same notation still used in the modern Catholic Church but there are no instructions about rhythm or dynamics, so choristers have had to make decisions about how the pieces should sound.

The music is in a style called ‘plainchant’, with single lines of music for monks or priests to sing all together. What makes the music more unusual is that rather than following the rigid liturgical structure of the time, with pieces sung at different times of the day, the monks curated a unique sequence of chants drawn from various sources.



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